Our History

Development of the property began in 2009 with concept sketches, then floor plans scuttling back and forth between us in Dawson Creek and our architect Frits de Vries in Vancouver. The goal was to maximize the spectacular views and gain more living space without significantly altering the footprint of the original house which was considered legal though non-conforming, the natural boundary of the ocean being only 1.5 meters away.

The guesthouse was sited on a moss and lichen covered bluff without the need for major clearing. Trees embrace the structure and add to it’s character especially as their stately shapes emerge in predawn light or animate with wind and weather. A graceful butterfly roofline with feature scuppers accents this modern treehouse. Cedar cladding and corrugated metal add a contemporary twist to traditional coast typologies of boat sheds and shiplap structures. A cantilevered deck hangs over the bluff providing more outdoor space and ocean views.

Both houses blur the boundaries between interior and exterior spaces with large expanses of glass that continue the sight lines into the forest or out to sea, framing a mobile canvas. Architect Mies van de Rohe said “appreciating nature as an image is just as important as being within it”. He also believed expansive glazing could engender a more profound connection with nature than actually being outside. The few low wide slot windows in the Aerie provide relief and force viewers to adopt a more intimate perspective.

The property retains its rugged west coast feel with sensitive landscaping in balance with natural elements. Moss, broadleaf evergreens, ferns, salal, arbutus, pines, cedar and fir round out the plant palette.